The Cult
Prometheus had no cult to speak of, and the silence is itself information. No polis raised him a great temple, no priesthood served him, and Hesiod presents the god-defying thief without recording a single altar. What Athens kept was an altar in the Academy (Pausanias 1.30.2), starting-point of the torch-races run at the Panathenaea — fire passed living from hand to hand, the theft re-enacted as civic sport. Beyond that the evidence is theatrical rather than ritual: Aeschylus' Prometheus Bound, staged before the Athenian audience, is the closest thing to a festival the Titan ever had. Modern readings that make him a central figure of Greek religion mistake a literary titan for a god of cult.


