The Cult
Oṃ had no temples of its own — it was the key that opened every temple. Its cult was disciplined recitation: the Sāmaveda chants open with the udgītha, the high Oṃ that carries the singer into the ritual, and the Chāndogya Upaniṣad meditates on it as the essence of the Vedas and the gate of immortality. Daily practice made it ubiquitous: recitation at dawn and dusk, the japa of repeating it in meditation — Patañjali's Yoga Sūtras call it the praṇava and prescribe repetition with contemplation of its meaning (YS 1.27–28) — and the triple oṃ bhūr bhuvaḥ svaḥ that seals the Gāyatrī. Worshippers and copyists marked every beginning with it: inscriptions open with Oṃ from Kuṣāṇa coins to modern marriage cards, temple doorways and manuscript colophons carry it, and Tantric ritual installs it as a seed-syllable on the body. No festival belongs to the syllable alone; instead it sanctifies all of them.


