Lētō in Later Traditions
The Romans knew Lētō as Latona, and her cult traveled with Apollo's throughout Italy. In Lycia the graft was explicit: the Xanthos trilingual names Lada beside Leto, and the Letoon is read by modern scholars as a Greek triad built over an older Lycian mother-goddess. Hellenistic poets deepened her associations with night, wandering, and exile — Callimachus's Hymn to Delos makes her the outcast who mothers a god of light — while Renaissance and Baroque artists kept her alive chiefly through the frog myth, a favorite emblem of divine punishment. She has no modern cult, but she endures as the classical figure of sanctuary sought and sanctuary given, and as the mother whose children never stopped avenging her.


